Where this final season falters is in the break up of Liza and Charles.
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The dialogue is so enjoyable you can excuse the occasional awkward product placement like when everyone is gushing over Dove chocolate. “They better hope those kids don’t read,” Kelsey says. Liza attends a fundraiser for the Children’s Literary Fund which goes by the acronym CLIT. Metamucil pays the ad sales up front… Lean into your identity ladies, we all gotta eat,” he tells them.Įven the throwaway jokes on the show are so much fun. CBS turns it into a procedural starring Betty White. Michael Urie is also back as Redmond, a literary agent who is now trying to convince Liza and Kelsey to embrace middle-aged readers. And, in addition to Benanti, there are some great guest stars including Janeane Garofalo as a college dean who offers Maggie a job. “I’m so glad Josh impregnated her into our lives,” she says of Josh’s ex-girlfriend Claire (Phoebe Dynevor). Debi Mazar is still hilarious as Liza’s best friend Maggie Amato. Once you start watching you won’t want to stop. Led by creator and executive producer Darren Star, the show is such fizzy, fluffy fun. “It’s really a way to explore the gravity of marriage in a zero gravity world,” deadpans the novelist who wants to send Little Women to space. This season the show also mocks every House Hunters type reality show and beloved classics being modernized. (Clearly someone on the writing staff loves The Sound of Music). She’s like one of the Von Trapp children but hangry,” Liza laments. Sometimes the homage is subtle, sometimes it hits viewers over the head as with this season’s Fupa Grünhoff, a not-so-subtle-reference to climate change activist Greta Thunberg. Over the years the show has parodied the likes of Kellyanne Conway, Marie Kondo, John Green, Elizabeth Gilbert and, in the piece de resistance, George R. One of the true joys of Younger, which continues into the new season, is how delightfully it trolls the publishing world. (A fun reference because Benanti did indeed play Baroness Elsa Schrader in NBC’s live version of the beloved musical. Nobody roots for the Baroness,” she tells Liza. “You’re Maria Von Trapp and I’m the Baroness. Quinn makes for a delightful villain and her clever putdowns and dismissals are a lot of fun. Thankfully, that loss is somewhat mitigated by the increased presence of billionaire Quinn (Laura Benanti). Her brief, quick-witted appearance will leave viewers hungry for more. The absence of Shor’s acerbic Diana, who is on an extended honeymoon because she’s saved “221 vacation days” is a huge loss. While Zane had his charms, the show is fine without him, as Younger always has a revolving door of love interests for Kelsey. “Are you breaking up with me because I got promoted over you?” Kelsey asks Zane. Both show up via separate video calls to explain their absence. In this final season, there are cast changes as Zane (Charles Michael Davis) and Diana (Miriam Shor) are no longer on the show. “If there’s one thing I’ve learned it’s that age is irrelevant,” Liza says trying to comfort her. When Kelsey’s best friend Lauren (Molly Bernard) turns 30-in a bash only Lauren could throw (suffice to say it involves a grand entrance)-Kelsey must face that Millennials, by definition, are getting older.
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And your time in the sun as the new kid on the block is oh-so-brief. The truth about aging is that if we are lucky, we all get to grow old.
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But, of course, that can’t last (more on that in a moment). Last season Charles and Liza finally got together. As was the Josh/Liza/Charles love triangle that the show milked for all its worth for five seasons. As the seasons progressed, everyone from her work buddy Kelsey (Hilary Duff), to her much younger tattooed boyfriend Josh (Nico Tortorella), to her boss Charles (Peter Hermann) eventually found out. So she pretended to be twentysomething (Foster is gorgeous so just go with it).
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In the show’s original conceit, recently divorced Liza Miller (Sutton Foster, winsome as ever) quickly realized that no one wanted to hire a fortysomething woman for an entry level publishing job. That’s a concept Younger, which moves to Paramount+ for its seventh and final season, has long played with. As the saying goes, age ain’t nothing but a number.